Saga Studio
For filmmakers

Previz that costs what the shots cost.

Mood reels, pitch visuals, blocking tests, a one-shot sequence you want to see before you schedule it. Priced per shot, in dollars, before the render — so a week of previz has a budget you can actually hold in your head.

The work

Fifteen seconds is enough to hold a scene.

Both of these are single Seedance 2.0 renders — one prompt, one take, native audio, anamorphic frame. Sound on.

A neon-soaked chase through midnight rain, one anamorphic tracking oner.Seedance 2.0 · 15 s · 1080p · 21:9 · native audio
A freight-train gap jump over a desert canyon, one 85mm aerial.Seedance 2.0 · 15 s · 1080p · 16:9 · native audio
The price of that shot

Quoted live, right now.

A 15-second 1080p master with audio — the class of shot above — costs this at the moment you are reading:

Seedance 2.0 · 15 s · 1080p · audio
Quoted before the render starts, charged at that figure, refunded in full if the job fails. A 21:9 anamorphic or 4K master costs more and is quoted exactly the same way.
Rates move with the providers'. This figure is fetched live — it is not a number typed into a page.
Why it fits the work

Per shot, not per month.

A previz week has a number

You are not renting a tier and hoping to use it. You spend what the shots cost, and the balance that is left is still yours next month.

Client work stays client work

Everything you render is private to your account until you publish it. Nothing you make appears in a public gallery by default. The trust page spells it out.

You direct, the studio writes it up

You type the idea; the prompt layer turns it into full cinematographic direction — lens, blocking, light, movement — before it renders. Say what you want, not how to say it.

Failed takes are free

Technical failures refund themselves automatically. You pay for renders you got.

Honestly

Not every take lands.

Frontier video models miss. A prompt that produced something extraordinary once will produce something ordinary the next time, and no studio that tells you otherwise is being straight with you. What per-shot pricing buys you is that a miss costs a known, small number instead of a slice of a subscription you already paid for — and you can see that number before you commit to the take.

Questions

For filmmakers, asked plainly.

Can it hold a single take?

Up to fifteen seconds, yes — both clips on this page are single unbroken renders with their own audio. Beyond that you are cutting shots together, the same as any other production.

What does a shot cost?

It depends on model, length and resolution, which is why the figure above is quoted live rather than printed. Drafts on the fast models are pocket change; a 15-second 4K anamorphic master is a real but knowable number, shown before the render.

Who owns what I make?

Ownership and licensing are set out in the terms of use. Your renders are private to your account unless you publish them.

Can I keep client material private?

Yes — private is the default. Media is addressed by unguessable ids and your job list is visible only to you. Nothing is published unless you do it.

Is there a subscription?

No. You prepay a dollar balance, spend it per render, and it never expires. If a project ends, nothing keeps billing.

Elsewhere

Same studio, different job.

Price your next shot.

Open the composer, describe the scene, read the quote. Nothing renders until you say so.

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